|
|
The
Virtual Season Beta Guidelines
|
To promote consistency in beta'ing the VS stories
and in fairness to the authors of those stories, we've
come up with some guidelines. If you have questions
not answered by these guidelines, please address
them to virtualseasonx@gmail.com
Attn: Beta Questions.
-
All typographical errors, grammatical errors in
narrative,
and spelling errors should be corrected. Grammatical
errors in dialog, where they are used to "define" a character,
should not be corrected. For example, if the character is
poorly educated, a young child, or emotionally overwrought,
his or her speech would probably not be grammatically
correct, and rightly so. Repetitive "Mulder's" and "Scully's"
can also be trimmed down. They do not need to call each
other by name in every sentence.
-
Continuity must be protected at all times. This
includes
continuity with VS canon/fanon, with X-Files canon (prior to
"Requiem"), and with the other stories that have been
written as a part of the Virtual Season series. For example, characters
that were dead in one story cannot spring back to life in another;
characters who have always be antitheitcal to Mulder's cause cannot
suddenly become his best friend without excellent reason to do so.
-
The stories must be in the proper format. This includes
being in text, divided into teaser/acts/epilogue (generally
speaking) and within the length restrictions of the Virtual
Season format, as described in the " Guidelines
for Authors".
-
An author's style is her own. As long as the above
items
are present (e.g., proper format, length, continuity, etc) then
the work should not be corrected.
-
All betas are also authors. Occasionally a story
will be written in a style that we just cannot look at objectively.
If you know you have a problem with a particular author's style
to the point that you do not feel you can be objective when beta'ing
that story, let the producers
know and we will reschedule another beta for that work. We want
to both be fair to the author, and avoid taxing the artistic sensibilities
of the beta.
-
If, as Beta #1, you receive a story which clearly
does not follow the "Guidelines for Authors", notify the
producers at once. The story may have to be pulled from the
lineup for more work. If that happens and we need to juggle the
schedule, we'll need as much time as possible.
-
Keep to the time constraints. If Real Life interferes
with your
getting a story beta'ed, contact the
producers as soon as
possible so the story can be reassigned. We're on a tight
deadline, which could be made even tighter if the author does not
submit it until the due date or after.
As far as the process goes, we will receive all stories and
send them to Beta#1 by the "Due Date" - assuming the author
has made it available by then. Beta#1 will have the majority of the
responsibility for the story, doing the first beta and catching the
majority of the problems.
The corrected story, along with a list of any concerns Beta#1 has,
will then go to Beta#2, by the latest one week prior to air date.
Beta #2 will read the story as corrected and make further
corrections if there were things not caught by Beta#1. She will also
consider the list of concerns of Beta#1 and decide on their merit.
Is Beta#1 being too picky, or are there legitimate concerns? If there
are legitimate concerns which potentially affect the entire story,
then Beta #2 should QUICKLY forward those concerns to the
producers. Otherwise, Beta#2 will beta the story and send it to
the producers, with the
header - Final Version "Title". This must be done by the
Sunday prior to Air Date.
Beta#1 and Beta#2 can confer on the story, and especially on any
problems they are finding.
If a Beta feels that the author of a story should be contacted for
questions or concerns (e.g., the beta has found that the story is
riddled with cliches throughout, or there are other serious quality
problems), she should contact the
producers immediately. We'd
like to avoid the Beta contacting the author directly except for very
minor, easily resolved questions.
|